![[SMU Dept. of Music Theory and Comp.]](theorylogo.gif)
A: WRITTEN THEORY PROFICIENCIES
1.
Identify and write notes in
treble and
bass clef up to three ledger lines (1 note every 3 seconds).
2.
Write the key signatures for
all major
and minor keys on bass and treble clef (1 key signature every 12
seconds).
3.
Write major and all forms of
minor scales
using accidentals (1 scale every 30 seconds).
4.
Identify and write major and
minor
seconds above and below given notes (1 interval every 10 seconds).
5.
Distinguish between simple and
compound
meters and classify meters as duple, triple, or quadruple (1 meter
identification every 10 seconds).
6.
Add eighths or sixteenths
(with correct
beaming) to complete an incomplete measure according to a given time
signature
(within 45 seconds).
7.
Add barlines and beaming as
needed to
make a given series of rhythmic durations (like eighth, quarter,
eighth, etc.)
fit into a given time signature (3 measures within 1 minute and 15
seconds).
B: LISTENING PROFICIENCIES
1. Identify
whether
a
chord
is
major
or
minor.
2. Identify
whether
a
scale
is
major
or
minor.
3. Identify
whether
a
short
melody
is
in
the
major
or
minor
mode.
4. Identify
from
among
four
possibilities
the
correct
notation
of
a
short
rhythm.
5. Identify
from
among
four
possibilities
the
correct
notation
of
a
short
melody.
A: WRITTEN THEORY PROFICIENCIES
1.
Identify and write notes in
treble, bass,
alto, and tenor clefs (1 note every 3 seconds).
2.
Identify and write all
intervals above
and below given notes (1 interval every 10 seconds).
3.
Classify an interval as
consonant or dissonant.
4.
Identify and write all types
of triads
and seventh chords (1 chord every 10 seconds).
5.
Transpose a given melody by a
specified
interval (3 measures within 2 minutes).
6.
Identify melodic motives and
basic phrase
combinations (repeated phrases, varied phrases, simple period).
7.
Analyze chords using roman
numerals and
figures (inversion symbols).
8.
Identify cadence types
(authentic, half,
plagal, deceptive) in short musical excerpts.
B: LISTENING PROFICIENCIES
1. Identify
and
notate
in
treble
and
bass
clefs
all
simple
intervals.
2. Identify
all
root-position
triad
types.
3. Notate
a
short
diatonic
melody
4. Notate
bass/soprano
lines
and
chord
symbols
of
a
short
diatonic
harmonic
progression
using tonic, dominant,
supertonic, and subdominant chords.
C: SINGING PROFICIENCIES
1. Sing any interval up or down from a given note.
2. Sing in arpeggiated form all root-position triad types.
3. Sing major and all forms of minor scales.
4. Sight-sing a melody that includes leaps in the tonic and/or dominant triad.
5. Sing or clap a compound meter rhythmic example.
D: KEYBOARD PROFICIENCIES
1. Play any written note in treble and bass clefs
2. Play major and minor scales in one octave starting on any note.
3. Play all simple intervals above or below any note.
4. Play all triad types in root position, one hand, using any note as root.
5. Play and transpose a short melody, one hand.