Collections Highlights

 
Antonio Saura (1930–1998)
Antonio SAURA (1930–1998)
Portrait of Mari (Retrato de Mari), 1958 Antonio SAURA (1930–1998)
Portrait of Mari (Retrato de Mari), 1958
Oil on canvas (óleo sobre lienzo)
Gift of the Estates of Sylvia and Joseph Slifka, 04.03

Antonio Saura is considered one of the most important Spanish painters of the post–World War II generation. Born in the province of Aragón, Saura began his career as a self-taught artist and in 1953 he moved to Paris, where he became involved with the Surrealists. The critic Michel Tapié introduced him to the social circles of the latest Parisian avant-garde, the Informalists. In 1957, along with other artists and critics such as Millares, Canogar, and Luis Feito, he founded the group El Paso in Madrid, one of the first avant-garde movements in Spain under General Franco.

Many of the principles of this new Spanish movement were rooted in European Informalism and American Abstract Expressionism. Saura’s works from this period, such as Portrait of Mari, are characterized by the use of thick layers of paint applied in an abstract manner as well as the use of a very limited palette of colors. This canvas fills the art historical void in the collection between Joan Miro’s The Circus (Le Cirque) of 1937 and Antoni Tàpies’s Grand Noir of 1973.


Antonio Saura está considerado como uno de los artistas españoles punteros de la generación posterior a la Segunda Guerra Mundial. Nacido en la provincia de Aragón, Saura fue un pintor autodidacta, si bien en 1953 viajó a París en donde se implicó con el movimiento surrealista. Posteriormente, el crítico Michel Tapié le introdujo en el ambiente de de la última vanguardia parisina, la del Informalismo. En 1957, junto con críticos y otros artistas como Millares, Canogar y Luis Feito, fundó el grupo El Paso en Madrid.

Una buena parte de la propuesta artística de El Paso se enraíza en el informalismo europeo y el expresionismo abstracto americano. Las obras de Saura de este periodo, como Retrato de Mari, se caracterizan por el uso de densa materia pictórica aplicada en capas y de modo abstracto, así como por el uso de una reducida gama cromática. La llegada de esta obra al museo ha reforzado la colección de pintura española y ha llenado el vacío pictórico existente entre el Le Circus de Joan Miró realizado en 1937 y el Gran Noir de Antonio Tápies de 1973.

Provenance
Gift of the Estates of Sylvia and Joseph Slifka, Meadows Museum, 2004.


 
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