Faculty: This is a faculty of teacher-scholars—prolific academicians and devoted mentors who have earned a long list of honors. They are committed to productive learning, innovative instruction and mentoring.

Janis Bergman-Carton
Associate Professor and Chair of Art History
Ph.D., The University of Texas at Austin
Janis Bergman-Carton has been the recipient of a J. Paul Getty Post-doctoral Fellowship, a Social Science Research Council Grant, as well as fellowships from the Woodrow Wilson and Samuel H. Kress Foundations. In addition to numerous articles on nineteenth-century French visual culture, she has published The Woman of Ideas In French Art, 1830-1848 with Yale University Press. She joined the Meadows faculty in 1991. Her research interests include 19th and 20th-century European painting, contemporary Latin American art, gender studies and critical theory. Read more.

Annemarie Weyl Carr
University Distinguished Teaching Professor
Ph.D., University of Michigan
Annemarie Weyl Carr has been awarded fellowships at the National Humanities Center and the Dumbarton Oaks Center for Byzantine Studies; has taught as a visiting professor at the University of Pittsburgh, the University of Michigan,the University of Delaware and the University of Chicago; has served as the president of the International Center of Medieval Art and as the editor of its journal, Gesta; and has authored a host of articles and essays and three books, Cyprus and the Devotional Arts of Byzantium in the Era of the Crusades (Ashgate 2005), A Masterpiece of Byzantine Art Recovered: The Thirteenth-Century Murals of Lysi, Cyprus (University of Texas Press) and Byzantine Illumination, 1150-1250: The Study of a Provincial Tradition (University of Chicago Press). She has also received two university awards for teaching. Read more.

Randall C. Griffin
Associate Professor of Art History
Ph.D., University of Delaware
Randall C. Griffin has been awarded a Wyeth Fellowship at the National Gallery of Art's Center for Advanced Study in the Visual Arts; has taught as a visiting instructor at Vanderbilt University; and has authored several articles and three monographs, Thomas Anshutz: Artist and Teacher (University of Washington Press), Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age (Penn State Press), and Winslow Homer (forthcoming with Phaidon). He has also received two university awards for teaching. Read more.

Adam L. Herring
Associate Professor of Art History
Ph.D., Yale University
Adam L. Herring has received fellowships from the Jacob R. Jovith Fellowship, Dumberton Oaks and the National Endowment for the Humanities. In 1999, his doctoral dissertation won the university's Frances Blanshard award. His book, Art and Writing in the Maya Cities, AD 600-800: A Poetics of Line was published by Cambridge University Press in 2005. His primary areas of research are art and writing of the ancient Americas, colonial Latin America, cultural history and theory, and the historiography of the discipline. Read more.

Karl Kilinski II
University Distinguished Teaching Professor
Ph.D., University of Missouri
Karl Kilinski II has been a senior research fellow at the American School of Classical Studies in Athens and a visiting research fellow at the Warburg Institute in London; has taught as a visiting professor at Kwansei Gakuin University in Japan and at the DIS University of Copenhagen; and has authored many articles and five monographs, Classical Myth in Western Art: Ancient through Modern (Meadows Museum), Boeotian Black Figure Vase Painting of the Archaic Period (Philipp von Zabern Verlag), Gods, Men, and Heroes (with Anne Bromberg, The University of Washington Press), Jupiter's Loves and His Children (Georgia Museum of Art) and The Flight of Icarus through Western Art (Edwin Mellen Press). He has also received three university awards for teaching. Read more.

Pamela A. Patton
Associate Professor and Graduate Advisor
Ph.D., Boston University
Pamela A. Patton has been awarded grants from the NEH and tthe Kress Foundation and a Haaken Fellowship in Art History. She has authored several articles and the book, Pictorial Narrative and the Romanesque Cloister in Spain: A Study of Cloister Imagery and Medieval Religious Life (New York: Peter Lang, 2004). Her research concerns the relationship between visual and non-visual narrative, as well as the artistic interactions among the diverse religious cultures of Medieval Spain. Read more.

Lisa Pon
Assistant Professor of Art History
Ph.D., Harvard University
Lisa Pon has held fellowships at the Getty Research Institute, the Warburg Institute in London and Harvard University, and now holds a Ford Fellowship (2006-08) from SMU. Her book, Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print was published in 2004 by Yale University Press. Read more.

P. Gregory Warden
Professor and Associate Dean, Meadows School of the Arts
Ph.D., Bryn Mawr College
P. Gregory Warden has authored a host of articles and three books—The Metal Finds from Poggio Civitate (Murlo), The Extramural Sanctuary of Demeter and Persephone at Cyrene, Libya-Final Reports IV (University of Pennsylvania Museum Monographs) and Classical and Near Eastern Bronzes in the Hilprecht Collection, Philadelphia (University of Pennsylvania Museum Monographs)—and has edited the Meadows Museum exhibition catalogue Greek Vase Painting: Form, Figure, and Narrative— Treasures from the National Archaeological Museum in Madrid. He is also director of SMU excavations in Tuscany at Poggio Colla and has received two university awards for teaching. Read more.