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By JEREMY DUQUESNE ADAMS,
Altshuler Distinguished
Teaching Professor
I used to be entranced by Plato’s dialogue Theaetetus,
and once wrote a deadly serious article on what I thought it
teaches us about teaching (“Medievalists as Teachers: North
American Models,”—with Bonnie Wheeler, in Medieval Studies in
North America: Past, Present, and Future, Francis G. Gentry
and Christopher Kleinhenz, eds. {Kalamazoo: Medieval Institute
Publications, 1982}, pp. 201-21, see esp. 213-21). I still
think that article makes some sense: e.g., that there are
several things the teacher should not become – the progenitor of
the student’s ideas, the transmitter of practical technique,
certainly not the wrong kind of friend or lover (the last of
these a problem not only in Plato’s day). Maybe acceptable are
the roles of coach or (especially for graduate students) the
trainer of apprentices acquiring technique, perhaps even the
military commander, leading the student band in an assault upon
the evidence or on ignorance of it. Instead, I agreed with
Plato’s metaphor of the teacher as maias, the
more-than-midwife that Socrates’ mother was.
At that time I was also interested in (though I wouldn’t say
entranced by) the distinguished classicist William Arrowsmith’s
triad of Apollinian, Dionysiac, and Titanic teachers and
teaching. One current criticism of that attempt to set up
pedagogic models is that it’s based not so much on authentically
ancient Greek thought as on nineteenth- century German scholarly
categories. I don’t see why that automatically invalidates
Arrowsmith’s triple paradigm; nineteenth-century Germans did a
lot of highly creative derivative thinking. It may explain,
however, why I’ve come to see it as less satisfying than I did
formerly.
Maybe there is something to the Renaissance cry, “Ad fontes!”
(“Back to the sources!”). I’ve found little contemporary
writing on pedagogy to be particularly insightful or new, and
have been driven back to the sources Arrowsmith so rightly
admired. I’ve got to admit that I find myself stuck with Plato,
especially with his transcendent and yet deeply penetrating
triad of the Good, the True, and the Beautiful. In a limited
sense, one can say that Arrowsmith’s Titanic teaching is
enamored of the beautiful, his Apollonian pursues the true,
while his Dionysiac teacher strives to present at least the
question of the good. But these two triadic paradigms aren’t
really congruent; at best they overlap. At the moment I think
there’s an important place for a fourth, more modern category:
the Useful. I am nowhere near succumbing to nineteenth-century
English Utilitarian thought (God! that Mill can grind slow); one
can admire Jeremy Bentham’s role in
founding the University of London without having to roll him out
stuffed and formaldehyded year after year (see end note 1).
But I’ve always thought, despite long and obedient conditioning
to the ideology of mid-twentieth-century humanities professors,
that we must ask why we human beings wish to learn. And so, why
some of us choose to teach. And I’m increasingly convinced that
many, perhaps most of our students want to learn history in
order to learn from it something they find useful. (Cardinal
Newman would be distressed, of course.) An illustration of the
durability of that current desire was the local community’s
reaction to our department’s lecture series on empires, which
began in the fall of 2003 and is being revived this year on a
reduced scale in the Stanton Sharp Lecture Series. It was
abundantly clear that the public loved the lectures that
validated the current American fumbling with imperial roles and
was disappointed by the lectures that intelligently and from the
professional historians’ view properly critiqued such
enthusiasm, that debunked the easy application of ‘the lessons
of history’. One lesson that was hard to miss: young and old, we
tend to want useful lessons from history, and we often want them
to be comfortable.
We can dismiss that impulse as a specious demand for spurious
relevancy, as my generation of humanistic historians was trained
to react, or we can address that need directly. In the 1960s the
social sciences did so, with what seemed to me commendable
results – and incidentally, a great swell in student enrollments
and cadre formation. So did my classmate and lifelong friend
Charles T. Wood, a great medievalist whose recent death is a
terrible loss to our cadre. At Dartmouth (sometimes called the
SMU of the Ivy League) he confronted that cry for relevancy with
a series of seminars on the ‘truth’ about Joan of Arc and
Richard III that became famous not only at Dartmouth but
throughout the profession, and incidentally produced
half-a-dozen Apollonian-Dionysiac scholarly articles and a
compelling book. My effort to do something faintly like that in
the fall of 2002 with the historical and literary, ‘real’ and
mythical Cid, in the format of a First-Year Seminar, has so far
produced only a plenary address to the Texas Medieval
Association, plus a lot else in the way of intellectual
consequences that would be difficult to convey in the existing
genres of reportage.
Let me conclude this essay with an experiment of the last two
years in my medieval history survey course. I carefully (though
rarely explicitly) restructured my Tuesday lectures in line with
the Platonic categories of the Good, the True, and the Beautiful
as well as with a new rhetorical tactic more suitable to
80-minute under-graduate attention-spans (especially in the
afternoon). On Thursdays we discuss primary texts and sometimes
dialogue about slides making visual that week’s topic. I
generally have too many students (50+) in that class to handle
discussions properly, so the students are broken up into eight
discussion circles each of which prepares its presentation of
certain issues to one of three discussion sections meeting at
three different times that day. One to three of the circles
belonging to each section prepare in rotation their
presentations (in dialogue, not lecture or report form), but
each of the circles is asked to share with the rest of the
section what they see in those texts that teaches us about
truth, goodness, and beauty. At first my students were surprised
and a bit put off by this format and its demands, but many liked
the idea, and soon began to realize it, if somewhat shyly. They
got comfortable with enunciating what they came to see of these
great ideas in this suddenly not so remote, even surprisingly
relevant historical material. Their mid-term bluebooks suggested
strongly that quite a few had internalized the benefits even in
the hopelessly conventional exercise of bluebook-writing.
Now I must admit that sometimes this labor-intensive technique
has worked, and sometimes it hasn’t. More often than not the
Thrasymachi in these sections, even the more polite Glaucons and
Adeimanti (see end note 2), at their best the restive young Aristotles,
have been impatient with what they see as fuzzy utopianism, and
wanted the facts – or the interpretations; it’s pretty much the
same to them – and I’ve yielded to their desires and my old,
long-practised habits. But at least I haven’t had to drink
hemlock yet.
Notes—for those who haven’t had the good fortune to study with
Professor Adams:
1. According
to his wishes, Bentham’s body is dressed and on display at
University College, University of London, where many of our
students have studied in the SMU-in-Britain program.
2. Thrasymachus
challenged Socrates rudely in Plato’s Republic, and
Plato’s brothers, Glaucons and Adeimanti, politely but firmly
and relentlessly kept questioning him. Aristotle was Plato’s
independent-minded student and later his institutional rival. |
“…we must
ask why we
human beings
wish to learn.
And so,
why some
of us
choose to
teach.”
“…young and old, we tend
to want useful lessons from history,
and we often want them
to be comfortable.”
“They [students] got comfortable with enunciating
what they
came to see
of these great ideas in this suddenly not so
remote, even surprisingly relevant historical material.”
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