|
| Publications: |
- Modernism’s
Other Work: The Art Object’s Political Life
(Oxford University Press, in production for
publication January 2012).
- “Wallace Stevens’s Fascist Dilemmas and Free
Market Resolutions,” American Literary History
23:2 (Summer 2011), 337-361.
- “‘A Disciplined Nostalgia’: William Gaddis and
the Modern Art Object” in William Gaddis,
“The Last of Something,” Crystal
Alberts, Christopher Leise and Birger
Vanwesenbeeck, eds. (Jefferson: McFarland,
2010), 101-114.
- “Modern Glass: How Williams Reframed Duchamp’s
Window,” The William Carlos Williams Review
28:1-2 (2008), 117-139.
- “Telling a Horror Story, Conscientiously:
Representing the Armenian Genocide in Atom
Egoyan’s Films,” in Image and Territory: New Essays on
Atom Egoyan, Monique Tschofen and
Jennifer Burwell, eds. (Waterloo, Ontario:
Wilfrid Laurier University Press, 2007),
133-156.
|
| Courses/Seminars: |
-
20th-c
American Poetry: From Modernism to
Postmodernism
-
American
Modernism: The Poem and the Poetics of Art
-
Semiotics of
Culture: Representing Diaspora
-
Introduction to
Literary Study
-
Contemporary
Poetry: Art and Artifacts
-
Contemporary
Approaches to Literature (Introduction to
Literary Theory)
|
|
Lisa
Siraganian works in twentieth-century literature
and culture, especially modernism, poetics and
film. In addition to her forthcoming book, Modernism’s Other
Work: The Art Object’s Political Life
(Oxford UP, 2012), she has published on Gertrude
Stein, Wyndham Lewis, Wallace Stevens in Modernism/
Modernity, ALH, and The William Carlos
Williams Review. For 2011-12, Prof.
Siraganian is a Visiting Scholar at the American
Academy of Arts and Sciences in Cambridge, MA. |
|