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Summer 2012 SCHEDULE OF CLASSES
Subject to change, consult access.smu.edu for the latest information

 

Summer I: May 31 – June 29

 

Catalog #

Class #

Title

Room

Day(s)

Start

End

Professor

1365-0011

2148

Literature of Minorities

DH 101

MTWThF

4:00 PM

5:50 PM

Levy

2311-0011

1338

Poetry

DH 143

MTWThF

2:00 PM

3:50 PM

Bozorth

2312-0011

1355

Fiction

DH 115

MTWThF

10:00 AM

11:50 AM

Weisenburger

3329-0011

1317

The World of

King Arthur

DH 156

MTWThF

4:00 PM

5:50 PM

Wheeler

3329-7011

1444

The World of

King Arthur

DH 156

MTWThF

6:00 PM

7:50 PM

Wheeler

3367-0011

1357

Ethical Implications of Children’s Literature

DH 156

MTWThF

12:00 PM

1:50 PM

Satz

3379-0011

1381

Contexts of Disability

DH 156

MTWThF

10:00 AM

11:50 AM

Satz

 

 

Summer II: July 2 – August 1

 

Catalog #

Class #

Title

Room

Day(s)

Start

End

Professor

1330-0012

1399

The World of Shakespeare

DH 101

MTWThF

10:00 AM

11:50 AM

Neel

2313-0012

2149

Drama

DH 137

MTWThF

12:00 PM

1:50 PM

Crusius

3341-0012

1401

British Literary History II

DH 101

MTWThF

2:00 PM

3:50 PM

Bozorth

 

 

SMU-in-Oxford (June 30 – August 4):

 

ENGL 3329 / MDVL 3329 / CF 3302: The World of King Arthur.  Prof. Bonnie Wheeler.
Study of Britain's greatest native hero and one of the world's most compelling story stocks: the legends of King Arthur and the Knights of the Round Table.

 

ENGL 3389. The Gothic Novel.  Prof. Michael Nicholson.
The tutorial examines the influence of Gothic novelists such as Horace Walpole (The Castle of Otranto), Mary Shelley (Frankenstein), Charles Dickens (Bleak House) and Feodor Dostoevsky (Crime and Punishment). It explores how the melodramatic excesses of the genre were shaped to span socio-economic protest, existential experiment and religious rebellion.

 

ENGL 4333.  Shakespeare.  Prof. Michael Holahan.

This course studies certain key themes in relation to a central question of identity in Shakespearean drama. The themes are politics and history, sexuality and love, and language and action. Five plays will be read, and discussion will consider the various traits of comedies, tragedies, and histories.  The class will visit the Globe Theatre in London as well as performances in Oxford and Stratford-upon-Avon.

 

SMU-in-Taos

 

May Term (May 9th27th):

 

CFA 3372.  Inventing Americas.  Prof. Steve Weisenburger.
This course will explore the representations of Southwestern Indians in 20th Century U.S. works of fiction and film that have been understood against a long history of "playing Indian," of romanticizing the "vanishing American" and of using imaginary Indians to think through the very real problems of race. Fulfills General Education co-requirement in Human Diversity. Field trips.

 

June Term (May 31stJune 29th):

 

ENGL 2311.  Poetry.  Prof. Tim Rosendale.

Analysis, interpretation and appreciation of poetry, with attention to terms and issues relevant to the genre.

 

# CEE/GEC Diversity Co-Requirement       

+Perspectives Requirement

*Permission of Instructor Required           

 

P Departmental permission required to register under instructor’s section number.

         
Ards P05

Bozorth P12

Crusius P23

Dickson-Carr P28

Dumitrescu P30

Foster P32

Gonzales Sae-Saue P33

Greenspan P34

Haynes P35

Holahan P40

Householder P42 Lewis P50

Moss P52

Murfin P54

Neel P56
Newman P58

Rosendale P59

Satz P60

Schwartz P63

Siraganian P65

Smith P67

Spiegelman P70

Sudan P75

Weisenburger P84

Wheeler P85
       

 

 

 

 

 

 

 

 
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